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A man of many talents, most of them to do with genius cinema violence, Takashi Miike (Audition) returns with a devoutly classical, if not exactly classic, remake of a 1963 period samurai film.
After assembling his (not so) dirty (baker’s) dozen, Koji Yakusho ambushes an evil lord’s army, despite being suicidally outnumbered.
All politics and posturing, the first two-thirds of the film are stiff and uninvolving, and although the climatic 45-minute free-for-all is genuinely spectacular, it’s clear where the director’s heart lies.
“I thought samurai would be fun!” whines one chap. So did we.
"There's a much bigger focus on what you think is important as the player": How Two Point Museum evolves on its quirky management predecessors
Yellowjackets co-showrunner doubles down on decision to kill off a fan-favorite character in season 2: "There needs to be consequences"
10 years later, Dying Light's night time psychological warfare is still one of the strongest hooks in horror gaming history
