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Dating from 1962, Ozu’s sublime final film (and one of his only two in colour) plays variations on his perennial themes of marriage and inter-generational tensions.
Chisû Ryû, Ozu’s favourite actor, is the elderly widower who comes to wonder if he’s being selfish in relying on his unmarried daughter to look after him. Having consulted with his friends – over much sake – he sets out to find a husband for her.
Mellow and rich in ironic humour, the film carries an undertow of gentle melancholy; as so often with Ozu, its ultimate message is that loneliness is the human condition.
Forget AAA: this year, all I wanted to do was optimize my conveyor belts in Satisfactory
Like A Dragon: Pirate Yakuza in Hawaii revives another Sega arcade classic that's never been ported - a true Yakuza games tradition
With Sonic, Persona, and Yakuza under its belt, Sega thinks making a subscription service like Xbox Game Pass would be "very interesting"
