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Sex and death come under the microscope in this offbeat Greek tale, centred on Marina (impressive newcomer Ariane Labed), a withdrawn young woman killing time in an industrial seaside town.
Her dying dad (Vangelis Mourikis) encourages her to embrace life; repelled by the idea of sexual intimacy, she takes refuge in David Attenborough nature docs and electropunk pioneers Suicide.
Director Athina Rachel Tsangari conjures some playful touches – animal imitations; Marina and friend Bella’s synchronised walks – but this clinically shot oddity ultimately mystifies.
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Hollow Knight: Silksong is so late that this stylish and extremely Hollow Knight-inspired Metroidvania, made by a studio called Whalesong, might launch first
