Jamie Graham
Jamie Graham is the Editor-at-Large of Total Film magazine. You'll likely find them around these parts reviewing the biggest films on the planet and speaking to some of the biggest stars in the business – that's just what Jamie does. Jamie has also written for outlets like SFX and the Sunday Times Culture, and appeared on podcasts exploring the wondrous worlds of occult and horror.
Latest articles by Jamie Graham
Portrait of a Lady on Fire: "There is a hint of Hitchcock to the pull of its desires..."
By Jamie Graham published
Feature Total Film reviews the latest by Céline Sciamma, director of Girlhood. It could win the Palme d'Or at Cannes 2019
Too Old to Die Young: The director of Drive debuts his Amazon series and it "seems certain to be must-watch TV"
By Jamie Graham published
Feature Total Film gets a look at Nicolas Winding Refn and Miles Teller's hypnotic hitman thriller at Cannes Film Festival 2019
Sorry We Missed You: Director Ken Loach's latest is "more tense and harrowing than any Hollywood thriller"
By Jamie Graham published
Feature Ken Loach's Sorry We Missed You has a real shot at the Palme d'Or
How Bacurau turns spaghetti westerns, Mad Max, and Hostel into something distinctly Brazilian
By Jamie Graham published
Feature Total Film shares its early verdict on on the South American Palme d'Or contender from Cannes 2019
John Carpenter discusses The Thing, the greatest ever horror directors, and his love of video games at Cannes 2019
By Jamie Graham published
Feature As John Carpenter is honoured at Cannes 2019, Total Film was on the scene to hear the visionary director reflect on his career and life
Avengers: Endgame spoiler-free review - "A drama of loss, courage and sacrifice"
By Jamie Graham published
Movie review
Big meets Superman? Why Shazam! could be the best DCEU movie since Wonder Woman
By Jamie Graham published
Feature Total Film does a superhero landing on the Toronto set of Shazam! to speak to its cast and crew
Cold Pursuit review: "Droll, sleek, and not content to settle for being Taken 4"
By Jamie Graham published
Movie Review
Movie 2018 Year in Review: Superheroes rule the multiplex, but will Netflix save mid-budget movies?
By Jamie Graham published
Best of 2018 Total Film magazine’s Editor-at-Large Jamie Graham looks back on a year in movies in which Marvel won the tussle at the box-office but the real fight was for diversity and better representation on and off screen
The Old Man and the Gun review: "So damn charming it makes your heart twinkle like Redford's eyes"
By Jamie Graham published
Movie Review
Is it just me, or should 95% of TV shows only get one season?
By Jamie Graham published
Opinion When TV renewals go stale...
Venom review: "A decent buddy actioner. You might even laugh your head off"
By Jamie Graham published
Movie review
"Like Indiana Jones on acid" - The Overlord cast on the movie's secretive origins (and whether it was ever a Cloverfield spin-off)
By Jamie Graham published
Feature J.J. Abrams’ top-secret Overlord sees soldiers parachute down a rabbit hole of unspeakable genre horrors
Mandy review: "A bloody, druggy, superbly crafted revenge thriller"
By Jamie Graham published
Movie review
Upgrade review: "Surely destined for cult status"
By Jamie Graham published
Movie review
BlacKkKlansman review: "Furious, relevant, and funny as hell"
By Jamie Graham published
Movie Review
Mission: Impossible - Fallout review: "This quick-witted, fleet-footed franchise shows no sign of flagging"
By Jamie Graham published
Movie review
First Reformed review: "A volatile mix of gravitas and grindhouse"
By Jamie Graham published
Movie Review
Incredibles 2 review: "A blast, brilliantly animated and furious fun"
By Jamie Graham published
Movie review
Jurassic World: Fallen Kingdom review: "It’s standard stuff, the beasts are no longer miracles, the humans bland"
By Jamie Graham published
Movie Review
The 13 best movies from Cannes Film Festival 2018 you HAVE to see
By Jordan Farley, Jamie Graham published
Feature Here's our top picks from Cannes 2018 - make sure you catch them when they come to cinemas
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