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The script needs more nurturing but Noomi Rapace takes up some of the slack in Pal Sletaune’s maternal mystery.
More vulnerable than Lisbeth Salander, Rapace’s Anna is a single mum who takes her eight-year-old son and flees his allegedly violent dad to a council flat, where her paranoia amps ambiguities – is she the threat to her son?
Low-level scares involving baby monitors provide insufficient intrigue in a narrative that’s plainly a set-up for a twist even if you’re un-versed in childcare-chiller conventions, yet the emotions flooding Rapace’s expressively fraught face offer compelling compensations.
Final Fantasy 14 is coming to mobile so sprouts can experience the "grandeur of the original's story and combat," and card game sickos like me have another way to play Triple Triad
As Remedy nearly breaks even with Alan Wake 2 sales, Sam Lake tells investors "we strive to create commercial hits" but "we must never lose" the studio's special sauce
DC says Absolute Batman is already the best-selling comic of 2024
