Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
There’s more here than meets the eye. Nicholas Philibert’s follow-up to Être Et Avoir ploughs deep furrows from a seemingly simple tale: his return to the Normandy countryside, where he assistant-directed a feature about a 19th Century multiple parricide in ’75. There, he meets the local non-professionals cast in the flick, who chinny-wag cheerily about their brief movie careers. So far, so gently nostalgic. Gradually, though, Philibert’s watchful approach proves fertile.
Themes of movies and memory, documented history, crime, punishment, madness and the connections forged in shared experience assume clear focus. Granted, Philibert’s free-roaming approach is as languid as a weekend ramble. But his warm, tender, patient film finds much to move and chew on in the mulch and mire of rustic matters.
The Sims has always been a little broken, and the Legacy Collections are preserving the experience of '00s PC gaming warts and all
Captain America: Brave New World director denies reports that the Marvel movie went through multiple reshoots, saying it had the standard amount for "all of these movies"
Baldur's Gate 3 Lae'zel actor is enjoying romancing herself in the RPG again because "there's a lot of the stuff I've kind of forgotten about"
