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Robert Bresson and the Dardenne Brothers are clear influences on US writer/director Lance Hammer’s austere debut, which unfolds in a desolate stretch of the Mississippi Delta.
Through a series of elliptical scenes we piece together how a suicide impacts on three members of an African-American family: the dead man’s almost catatonic twin (Michael J Smith), his aggrieved ex-wife (Tarra Riggs) and his wayward son (JimMyron Ross).
Powerful, semi-improvised performances bring us closer to the isolated characters, who movingly earn themselves the possibility of redemption.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
