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There's a new Harry Potter TV series on the horizon... and the first trailer might've got you thinking about the best Harry Potter movies. What better time to revisit the franchise – including Fantastic Beasts, of course.
Your favorite movie, as an adult anyway, might just very well be Harry Potter and the Deathly Hallows: Part 1... but maybe there's something super comforting and nostalgic about Harry Potter and the Sorcerer's Stone or Chamber of Secrets. Everyone's order is likely to look a little different.
11. Fantastic Beasts: The Crimes of Grindelwald
Year: 2018
Director: David Yates
Ouch. While this entry should have soared majestically like a Hippogriff into the top half of this list, Fantastic Beasts: The Crimes of Grindelwald is sitting sadly at the bottom of the best Harry Potter movies pile. Sorry, Pickett, the adorable Bowtruckle, this isn't about you, I promise. Despite a shift of the magical action to Paris and the return of all our favorite Fantastic Beasts characters, this second of five films planned in the series falls flat in too many ways. The main one is a completely muddled plot that makes trying to enjoy the company of Newt and Co almost impossible as everyone tries to explain the story to one another.
Even the appearance of Nicolas Flamel, the tease of Nagini's origins story, and the further extension of wizarding lore can't take away from the fact that this feels distinctly like filler. One major highlight, though, is an early glimpse at Hogwarts with Jude Law as a young Dumbledore. A swelling score and sweeping shots of the wizarding school means director David Yates' knows his audience's passion and desperate desire for just one more year of the fuzzy, house-colored comfort blanket feels bittersweet. That the adult world so perfectly depicted in the first Fantastic Beasts can become a drudge in comparison to school is more than a little depressing.
Read more: Fantastic Beasts: The Crimes of Grindelwald review
10. Fantastic Beasts: The Secrets of Dumbledore
Year: 2022
Director: David Yates
After the disappointing Crimes of Grindelwald, things could only get better, right? Well, it turns out, yes, because the follow-up Fantastic Beasts: The Secrets of Dumbledore is an improvement on its predecessor – though not by much. There are more cute creatures, the plot is much easier to follow, Mads Mikkelsen – replacing Johnny Depp – makes for a beguiling Grindelwald, and the film's willingness to make his romantic relationship with Jude Law's Albus Dumbledore explicit is refreshing given the franchise's history with such things. That said, the film concretes the fact that this spin-off series doesn't know what the heck it's supposed to be: a set of warmhearted jollies about an adorable foursome and their animal-related antics or an exploration of the complicated rise of a fascist wizard army that may have had something to do with World War 2!?
Either one might have been fine (though we have serious doubts about the latter), but you can't really have both. We got the whole epic Good vs Evil thing with the Harry Potter series. Honestly, now, all we want to see here is Newt Scamander and Tina Goldstein sharing awkward, loving glances while trying to wrestle a Demiguise back into the former's magical briefcase.
Read more: Fantastic Beasts: The Secrets of Dumbledore review
9. Fantastic Beasts and Where to Find Them
Year: 2016
Director: David Yates
Let's face it: the first in the latest wizarding world series is an absolute joy and a worthy number nine in our list of the best Harry Potter movies. Newt Scamander (Eddie Redmayne) and his quest for those titular Fantastic Beasts doesn't just give us a background to the author of one of Harry's school books, but goes back to the age of a younger Grindelwald, the previous dark owner of the Elder wand. The happy maker here is a whole new magical world that we've never seen before as we explore American wizardry in 1920s New York. MACUSA, the US equivalent of the Ministry of Magic, is introduced, the nefarious Second Salemer witch hunters surface, and we experience a very different culture where No-maj (US muggles) aren't allowed even to make contact with wizards.
A deft blend of humor and darkness, Fantastic Beasts and Where to Find Them is carried by its excellent cast. Redmayne bumbles through New York as the nature-loving Newt, Katherine Waterston is the entertainingly furious ex-auror Tina, and Alison Sudol is the wonderfully charming Queenie. Add in Dan Fogler as the No-maj baker who stumbled into the adventure in the bank, and the Harry Potter movies suddenly evolve into child-free zones where the possibilities are darker, even if Nifflers are filling themselves with gold coins. You might even shed a tear.
Read more: Fantastic Beasts and Where to Find Them review
8. Harry Potter and the Chamber of Secrets
Year: 2002
Director: Chris Columbus
Despite paving the way for the rest of the movies, you will see that Chris Columbus' debut adaptations don't do particularly well in our list of the best Harry Potter movies. He may be responsible for Home Alone and Mrs Doubtfire, but Columbus' slavish silver-screen Potter attempts manage to make the source material oddly paint by numbers. There's magic here but with stabilizers on.
Harry Potter and the Chamber of Secrets is far from bad, though. It's still got a giant murderous snake that lives in the walls (Basilisk-y business), exciting Quidditch matches, the kids are still at that adorable stage, and the perfect casting of Kenneth Branagh as the entirely inept Professor Gilderoy Lockhart is a glowing example of the British talent commanded by the franchise. While it's not until Prisoner of Azkaban that things get really dark, the horrifying mystery at the heart of Chamber of Secrets is dealt with bravely, if ploddingly, with a massive 161-minute run time. Like a Blast-Ended Skrewt with its stinger removed, magical but a little too safe.
Read more: Harry Potter And The Chamber Of Secrets review
7. Harry Potter and the Philosopher's Stone
Year: 2001
Director: Chris Columbus
It feels like sacrilege to put the first movie so low. The John Williams score twinkling for the first time, that defining shot of Hogwarts against an inky black starry sky, Diagon Alley... Yet it's important to note that your memories of Harry receiving his letter are all about the first time you saw this world brought to life, not of the film itself, which is distinctly average compared to what followed. Regardless, though, it sets the scene for everything to come, and, if nothing else, is two and a half hours of the promise of future excitement.
Richard Harris’ Dumbledore is a bittersweet joy as he welcomes the adorable Radcliffe, Watson, and Grint to their future lives as Harry, Hermione, and Ron, and the joy of experiencing Rowling’s world for the first time can’t be undersold. Chris Columbus's direction might be plodding, but the goblins of Gringotts, meeting Hagrid, learning Quidditch with the most chipper of Scots, and entering the Gryffindor common room are all silver screen joy. This is a universe of so much potential that enraptures its readers, and in that respect, the designers and casting professionals did everything right. It’s the ultimate in magical wish fulfillment. We just won’t talk about CGI Fluffy, who hasn’t aged particularly well...
Read more: Harry Potter And The Philosopher's Stone review
6. Harry Potter and the Half Blood Prince
Year: 2009
Director: David Yates
Just like the books, The Half Blood Prince was when Potter got darker than ever: muggle murders as Death Eaters swarm London's Millennium Bridge, an attack on the Weasley home, Tom Riddle's eerie backstory, and, yes, the horrific and tragic death of Dumbledore. *sob* How could Rowling do it to us? While Hogwarts is still reasonably safe, the peril that lies outside the gates is palpable.
There's an enjoyably grown-up theme here too. Teen hormones are everywhere - it seems to make sense to get with everyone in sight if you're about to be murdered by dark wizards - and the 'will they/won't they' relationship between Harry and Ginny is enjoyably handled amidst the madness. The Half Blood Prince also adds the brilliant Jim Broadbent to the cast as Professor Horace Slughorn, a pompous but good-hearted soul who once gave a young Voldemort some seriously risky information. As Harry and Dumbledore work together to find the various Horcruxes of Voldemort's soul, there's a truly thrilling narrative at work that's deftly handled by Yates. It's dark, it's scary, and it knows it.
Read more: The best movies on HBO Max to watch right now
5. Harry Potter and the Deathly Hallows - Part 1
Year: 2010
Director: David Yates
And suddenly, the series, which had started out as a children's movie, descends into its grimmest hour. Death, fury, murder, torture, and the death of Dobby. The first of the films not to feature a trip to Hogwarts, suddenly life is much more dangerous for our exhausted magical trio. There's no going through the motions here for the actors, either. Without the safe walls of Hogwarts, real emotions and real tragedy is the order of the day, making Harry Potter and the Deathly Hallows - Part 1 an impressive and genuinely emotional journey. Acting chops are challenged but there's a proper sense of gravitas to proceedings.
The decision to separate the final book into two movies pays dividends here as David Yates takes the right amount of time to line up the final movie of the almost decade-long franchise. One particular highlight - other than the painful loss of Dobby, Mad-Eye Moody, and Hedwig - is the addition of a beautiful animation to explain the tale of the three brothers and the mythical titular Deathly Hallows. Helena Bonham Carter, too, is a livewire as Bellatrix Lestrange, who heads into the follow-up with the blood of Dobby on her hands, as well as Sirius Black from earlier in the franchise.
Read more: Harry Potter and the Deathly Hallows Part 1 review
4. Harry Potter and the Order of the Phoenix
Year: 2007
Director: David Yates
Also known as the book where Harry spoke in LOTS of caps, Harry Potter and the Order of the Phoenix is a turning point for the magical series. Harry is (quite rightly) sadness and angst personified, Voldemort is back after the tragic demise of Cedric Diggory in Goblet of Fire, and the wizarding world is in turmoil. The real coup here, though, is the brilliant Imelda Staunton as Dolores Umbridge, the official appointed to regulate a 'rogue' Hogwarts as the Ministry of Magic denies the return of the Dark Lord.
Umbridge is a truly disturbing force to be reckoned with. Surrounded by kittens and doilies but physically torturing students by etching lines directly onto their skin, she has a gleeful nefariousness that would be recommended reading at supervillain university. It's no coincidence either that this is the first movie to be directed by David Yates, whose innate understanding of the world blends the joy of Hogwarts with the nastiness of incoming murderous dark wizards. The comedy of Umbridge's ignored Educational Decrees is perfectly combined with the pain of Harry's first romance, the swirling darkness outside of Hogwarts grounds, and the ultimately painful conclusion as young Mr Potter is left, once again, feeling very much on his own in the world.
Read more: Harry Potter and the Order of the Phoenix review
3. Harry Potter and the Goblet of Fire
Year: 2005
Director: Mike Newell
It's a well-documented fact that your favorite moments from books will be cut, trimmed, or just plain deleted from the inevitable movie adaptation. Four Weddings and a Funeral director Mike Newell's Harry Potter and the Goblet of Fire was the first time that serious cuts had to be made. Sacrifices were clearly necessary as Harry's name flew out of the Triwizard cup, forcing him into a perilous competition against rival magical schools.
However, there's a lot to enjoy as the students attend their first dances. Brendan Gleeson joyously munches on the scenery as the grizzled Mad-Eye Moody, and we get the history of a Death Eater known as Barty Crouch. Then, the fourth film ends with an excellent final showdown with a newly reborn Lord Voldemort and sets up a seriously dark hat trick to follow.
Read more: Harry Potter And The Goblet Of Fire review
2. Harry Potter and the Deathly Hallows - Part 2
Year: 2011
Director: David Yates
What's not to love about the Battle of Hogwarts? Neville victoriously becomes a hero and beheads a snake! Molly practically quotes Aliens at Bellatrix Lestrange, and the noseless Ralph Fiennes is superb as a crowing triumphant Lord Voldemort. Deathly Hallows - Part 2 is a truly fitting finale for the series, even if it does feature the terrible scene at the end where 16-year-olds pretend to be 40. Hogwarts, a place of such safety and previous happiness, becomes a battleground, and Yates effortlessly steers us through some truly thrilling set pieces where death is a very real prospect for characters we have seen grow old for the better part of a decade.
Snape's downfall is tragically touching as we witness his grim death through frosted glass. Harry's realization and acceptance of his true destiny are genuinely heart-wrenching, and there's a sense of gravitas that’s miles away from the happy-go-lucky feasts of the original movie. Deathly Hallows - Part 2 feels like a true journey for the series and one that importantly doesn't shy away from the terror that awaits in Rowling's world. In the words of Albus Dumbledore, though, "happiness can be found even in the darkest times if one only remembers to turn on the light."
1. Harry Potter and the Prisoner of Azkaban
Year: 2004
Director: Alfonso Cuarón
And here we have it. The best Harry Potter movie and one of the best fantasy movies of all time. And don't you dare look at me like I've just hit you with a bat bogey hex? Harry's third cinematic adventure is still the very best the franchise has to offer. The dark cinema of Children of Men director Alfonso Cuarón meshes perfectly with the inherently disturbing plot of an escaped maniac hunting Harry down to murder him. Where Chris Columbus' wizarding world of the first two movies is remarkably bright regardless of the spirit of Voldemort gradually returning, Cuarón brings something significantly more twisted and blackly comic to proceedings. Azkaban, all the way back in 2004, was a breath of bleak new air, and it still stands up today.
Harry's hotel room in The Leaky Cauldron is filthy, the blowing up of Aunt Marge is deliciously unpleasant, the Whomping Willow happily eats a bird, and Harry's first trip on The Knight Bus is a surrealist nightmare narrated by Lenny Henry: "If you have the pea soup, make sure you eat it before it eats you…" And that's even before the series lets Gary Oldman get his teeth into Sirius Black and offers up one of the best werewolf transformations on film, or the joys of the brilliant Timothy Spall as the sniveling Wormtail and the introduction of the chilling Dementors. It doesn’t get better than this.
Read more: Harry Potter And The Prisoner Of Azkaban review
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