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Otto Preminger’s second film in a row with Jean Seberg (following her debut in Saint Joan ), this 1958 French riviera-set tale arrived two years before she became a darling of French New Wave.
Here she’s Cécile, the spoilt daughter to David Niven’s ageing playboy, plotting against her father’s latest romantic quest (Deborah Kerr).
Contrasting the picture-perfect backdrop, Saul Bass’ title sequence and Juliette Gréco’s rendition of the title song add to the melancholy.
But clumsy structuring and superficial performances mean this doesn’t pack much emotional punch.
Manor Lords dev says he's "looking forward" to updates following changes in fan requests for the city builder: "A sign things are moving forward I hope"
Death Stranding 2 may have confirmed a returning celebrity cameo as Hideo Kojima tells Conan O'Brien "I want to scan you again" and "have you in my new game"
Netflix removed an Arcane season 2 poster made via AI and Riot Games has swiftly responded: "It's disrespectful to the incredible artists who worked on the show"
