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In his first period biopic with a big star, unflinching French auteur Bruno Dumont ( L’Humanité ) shows no compromise. That’s thanks in large part to Juliette Binoche’s magnetic portrayal of the titular sculptor, who was institutionalised by her brother. “This is female exploitation,” she rages, rightly: Claudel did not belong in an asylum, a fact stressed by Dumont’s controversial but careful use of disabled non-professionals in support roles.
What emerges is a demanding but hypnotic, probing portrait of an artist denied her art, by a director in total command of his.
Sonic 3 director teases that more "new characters" will be introduced at the end of the movie: "It's fun to see the fan debates about who's coming up next"
"We've given up half the industry to games as a service," says solo city builder dev, and indies are "earning half of what we were earning 4 years ago"
Before Persona veterans decided Metaphor: ReFantazio had to be a fantasy JRPG, they had "talks about making a science-fiction universe"
