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Bereaved ballerina Myriam (Martines) falls passionately in love with art forger Pierre (Arditi) while working in Venice. The couple promptly embark on a world trip, only for tragedy to strike when both Pierre and Myriam's eight-year-old son are drowned. She, however, is determined to continue filming their holiday, and goes on to have a life-changing encounter with Canadian futurologist Marc (Hollogne).
Part modern fairytale, part love letter to the director's wife, this is gloriously shot by cinematographer Pierre William Glenn. But the convoluted plotting and arch dialogue hinder any real sense of poignancy. A strong candidate for the year's most overblown French romantic drama.
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
