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With Yugoslavia no more, it’s hardly surprising that its cinema isn’t better known – but once it thrived. Mila Turajlić’s doc resurrects an era where Hollywood stars appeared in propaganda pics, military service meant becoming an extra and dictator Marshall Tito’s projectionist screened a new film nightly for three decades.
Turajlić’s tantalising thesis – that movies set the mood for Tito’s virtual nation – is wry rather than rigorous; by avoiding difficult questions, it’s in danger of looking facile. Yet the irreverence pays off in some gobsmacking anecdotes, all backed by archive footage.

Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"

A Simpsons Hit and Run Remake will probably never happen – and I don't want it to

PlayStation games like The Last of Us are dominating the silver screen, but former Sony boss Shawn Layden says "an entire generation had to retire" before Hollywood took him seriously