Dead Space review

Take the controls. It’s no wonder that after playing Dead Space, Resident Evil 5 director Jun Takeuchi has opted to swap RE’s classic set-up for Dead Space’s sidestepping freedom; a change we vehemently protested until trying it out for ourselves. Isaac’s added maneuverability makes racing through the infested corridors a breeze, even without the quick-turn action which was mysteriously dumped during alpha testing. You need this extra control as Dead Space’s monsters don’t just line up for the slaughter.

Keeping a clear head sits just below keeping a head at all in the importance stakes, because unless you carefully pick the limbs off the approaching enemies you’ll find yourself surrounded with an empty cartridge in your weapon. The Ishimura has a fully designed vent system which allows monsters to make their own way through the ship. Fail to stop them before they jump into an air duct and they’ll pop out behind you minutes later and take two bites out of your arse before you’ve had time to react.

Resident Evil 4 with better controls isn’t a bad sell at all, but the improvements don’t stop there. Strategic dismemberment enforces a much more tactical approach to combat. Hacking pieces off the Necromorphs is an integral mechanic to survival and although it tends to limit the design possibilities of your enemies (later Dead Space falls into the trap of using the same monster models but changing skin colours to signify extra toughness) the dismemberment system makes other horror foes look decidedly average. Shooting somebody in the face only to see them stagger and then continue their sprint towards you is disappointing now that we’ve seen the alternative – shooting them in the face and removing their head only to see tendrils sprout from said hole and the beast run in your direction while flailing its arms at twice the speed in a blind rage… We never said it would be pretty.