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Of all the plaudits Sam Neill has received in his career, “Good doggy” doesn’t figure highly. Toa Fraser’s quietly endearing shaggy-pup fable rectifies that, albeit veeery slooowly.
Neill gives good, garrulous mutt as an Edwardian Dean who, under the influence of a rare tipple, regresses to a previous canine existence.
Framing this is the tale of a cantankerous old bugger (Peter O’Toole) who has buried painful feelings of grief bonedeep. A redemptive arc leashes
the threads together, hinged on insights into familial repression that are a tad too costumedrama-stifled for their own good.
But Neill’s deadpan dog-ologues prove ticklesome, on the way to an unexpectedly touching conclusion.
Kevin Harley
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Final Fantasy 7 Remake and Rebirth battle director says combining everything he learned on Monster Hunter: World with Square Enix's technology and unique skills created a "chemical reaction"
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
