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A single viewing only scratches the surface of this dazzling montage-based Hitchcock quasi-doc.
Exploring the great director’s own fascination with doubles, Belgian director Johan Grimonprez zaps between Cold War-era archive footage, clips from Alfred Hitchcock Presents and an imaginary encounter between the Master Of Suspense and an older version of himself during the shooting of The Birds.
As well as getting under his subject’s vast skin (with the aid of both lookalikes and soundalikes), Grimonprez offers cultural history lessons: check out the wry illustration of how US coffee ads in the early ’60s helped TV stoke a climate of paranoia.
EA says Dragon Age: The Veilguard has "breakout capabilities" due to "incredibly strong" reviews and "limited competition" in the AAA space
This is why you read Helldivers 2 patch notes closely: a goldfish "was laid to rest" in space where the pressure "caused it to heat up, violently explode, and disintegrate"
Christopher Reeve's son on why he's so beloved as Superman - "It's still the benchmark for bringing reality to a comic book character"
