Is it just me, or are belated sequels rarely worth the wait?

Twisters (2024)
(Image credit: Warner)

How long is too long to wait for a sequel? It’s a topic I’ve been pondering in the wake of two recent releases that took a glacially long time to reach us. The first was Beverly Hills Cop: Axel F, a comeback for Eddie Murphy’s fish-out-of-water lawman whose arrival on Netflix came 30 years on from franchise nadir Beverly Hills Cop 3 The second was Twisters, not so much a follow-up to the 1996 original as an even windier upgrade.

I can’t say I’d been pining for Murphy’s Axel Foley, any more than I’d been craving a return to Oklahoma’s Tornado Alley. But I dutifully saw Twisters and Axel F anyway, quietly nursing the hope that they’d deliver at least a fraction of the feels Jan de Bont’s original and the first Cop had given me.

The former left me bemused, director Lee Isaac Chung having apparently decided that what was wanted this time around was more science, no flying cattle and lashings of survivor guilt. The latter just made me sad, Mark Molloy’s exercise in listlessness being less a throwback to the action comedies of yesteryear than a grim reminder that the sands of time flow in one direction.

It’s a simple equation, really. The more belated a sequel is the more expectations it has to satisfy, making it exponentially less likely it will hit the jackpot. The rare movies that do – Blade Runner 2049, for example, or Top Gun: Maverick – succeed because they honour their origins and offer something fresh to a new generation. 

The more common scenario is the unbidden afterthought overly dependent on dewy-eyed nostalgia: a sorry subset where you’ll find such misfires as The Matrix Resurrections, Independence Day: Resurgence, Indiana Jones and the Kingdom of the Crystal Skull and... The Dial of Destiny

Time will tell where Gladiator II, Shrek 5 and 28 Years Later figure in this brutally binary metric, not to mention the Lethal Weapon finale Mel Gibson reportedly plans to act in and direct. When the gaps between sequels start being measured in decades, though, perhaps that’s a sign it’s finally time to put the cash cow out to pasture. Or is it just me?

Freelance Writer

Neil Smith is a freelance film critic who has written for several publications, including Total Film. His bylines can be found at the BBC, Film 4 Independent, Uncut Magazine, SFX, Heat Magazine, Popcorn, and more. 

Read more
Quentin Tarantino
Quentin Tarantino says that 2019 was the "last year of movies" as streaming took over: "What the f*ck is a movie now?"
Mad Max: Fury Road
A new Mad Max movie has a script, but director George Miller isn't sure it will ever be made: "All I can say is we’ll see"
Timothée Chalamet and Zendaya in Dune: Part Two
It's a travesty that the Oscars has snubbed Denis Villeneuve twice in a row, but Dune 3 could be his Return of the King
Quentin Tarantino
Quentin Tarantino is in "no hurry" to make his final movie – and has teased what he's "probably" doing next instead
Bloodsport
The 32 greatest '80s action movies
Christoper Lloyd and Michael J. Fox in Back to the Future
Back to the Future screenwriter has a very blunt response for those asking for a fourth movie: "F*** you"
Latest in Action Movies
Jason Momoa next to Lobo
Jason Momoa has gone method taking on the role of Lobo: "I asked everybody to call me by my character's name"
Avengers: Doomsday directors admit it's a "difficult" movie to make but tease some great Marvel collaborators "old and new"
Robert Downey Jr. as Doctor Doom
The Russo Brothers say Robert Downey Jr. "tried to talk us into" doing another Avengers movie but they "said no" until they heard the pitch for Doomsday: "That story has to be told"
No Time to Die
Harry Potter and Spider-Man producers reportedly in talks to develop new James Bond movie
Amanda Seyfried in Mamma Mia!
Mean Girls star Amanda Seyfried was offered the role of Gamora in the MCU, but turned it down because she thought Guardians of the Galaxy would be "Marvel's first bomb"
Robert Downey Jr. during the Doctor Doom announcement at Marvel's SDCC 2024 panel
Kevin Feige was behind the decision to bring Robert Downey Jr. in as Doctor Doom, and the conversation was had "a while ago"
Latest in Features
Kill Team: Blood and Zeal box on a wooden surface
Kill Team: Blood and Zeal pre-orders just went live, and I wish other Warhammer games were this weird
Batman, Superman, and Wonder Woman.
DC June 2025 solicitations: 10 must-have comics to pre-order this month
Flow
Flow won big as this year's Oscars underdog against Pixar and Netflix, and it's proof of the power of storytelling over dialogue
Yasuke riding through a village looking for Knowledge in Assassin's Creed Shadows
Assassin's Creed Shadows' prologue is the most gripping in franchise history, but I'm fixated on the tiny details
Naoe blends in among lush trees in Assassin's Creed Shadows while observing Amagasaki Castle from a rooftop perch
After 18 years Assassin's Creed Shadows cracks the ultimate stealth loop with its deliciously dense castles
Naoe perched in front of a castle in Assassin's Creed Shadows
I've spent 20 hours in Assassin's Creed Shadows chasing drip and decor, and it's proving to be my biggest source of motivation in the RPG