The ghost with the most returns in these exclusive new images from Beetlejuice Beetlejuice

Michael Keaton in Beetlejuice Beetlejuice
(Image credit: Parisa Taghizadeh/Warner Bros. Pictures)

After Blade Runner 2049 and Top Gun: Maverick proved that belated sequels could be special enough to escape the voluminous shadows of their classic originals, we’ve this year already had Beverly Hills Cop: Axel F and Twisters. And Beetlejuice Beetlejuice is set to end a year of lega-sequels on a high.

Set 36 years after Tim Burton’s iconic 1988 original, Beetlejuice Beetlejuice sees the Deetz family return to Winter River following a family tragedy, and things only get worse when a portal to the Afterlife is activated. A rejuvenated Burton is back in the director’s chair, and he’s not the only one returning: who else could set the juice loose quite like Michael Keaton, who once more dons the striped suit and fright wig, while Winona Ryder is back as Lydia Deetz, and Catherine O’Hara’s again plays her mom, Delia. Meanwhile, the likes of Willem Dafoe, Monica Bellucci and Justin Theroux play all-new characters, and stealing the show is Wednesday star Jenna Ortega as Lydia’s beautifully weirdo daughter Astrid, who uncorks bonkers bedlam.

Beetlejuice Beetlejuice is on the cover on Total Film magazine (on sale 15 August), and inside there’s an access-all-areas making of feature, including new interviews with Burton and all of the starry cast members mentioned above. Here (and above) you can take a peek at some exclusive new images from the upcoming issue, featuring the wide-eyed cast.

Michael Keaton in Beetlejuice Beetlejuice

(Image credit: Parisa Taghizadeh/Warner Bros.)

Winona Ryder and Jenna Ortega in Beetlejuice Beetlejuice

(Image credit: Parisa Taghizadeh/Warner Bros.)

Winona Ryder and Justin Theroux in Beetlejuice Beetlejuice

(Image credit: Parisa Taghizadeh/Warner Bros.)

Jenna Ortega and Tim Burton on the set of Beetlejuice Beetlejuice

(Image credit: Parisa Taghizadeh/Warner Bros.)

Inside the issue, Burton tells us all about how he rediscovered his mojo by choosing to make BB fast and energetic, insisting on practical effects over CGI. This is imaginative DIY filmmaking on a major scale. Meanwhile, Ryder looks back on her time on set of the original and stresses how Beetlejuice was the one movie in her career she always wanted to return to, and Keaton discusses the thrill of resurrecting the character that he considers to be both his favourite and most iconic – some claim from the man who was Burton’s Batman.

Beetlejuice Beetlejuice opens in cinemas on 6 September. For much more on the film, don’t miss the new issue of Total Films when it hits shelves and digital newsstands on Thursday 15 August. Check out the covers below.

Michael Keaton, Winona Ryder and Jenna Ortega on the newsstand cover of the Beetlejuice Beetlejuice issue of Total Film

(Image credit: Martin Schoeller/Total Film/Cover Art Courtesy Warner Bros. Pictures)

The subscriber-exclusive cover of Total Film's Beetlejuice Beetlejuice issue of Total Film

(Image credit: Martin Schoeller/Total Film/Cover Art Courtesy Warner Bros. Pictures)

Pre-order the issue here to bag your copy or click here to subscribe to Total Film and never miss another exclusive: you’ll get all this movie goodness throughout the year before it’s in shops, as well as having exclusive covers and saving money on the cover price. With our latest offer, you can save up to 50% – and to sweeten the deal, subscribers now get a brand new bonus too, with access to more than 10 years' worth of digital back issues as part of the subscription. That’s well over 100 issues you can explore, including our most recent issues. What’s not to like?

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(Image credit: Total Film/Warner Bros/Disney/Marvel Studios/20th Century Studios/Amazon)
Editor-at-Large, Total Film

Jamie Graham is the Editor-at-Large of Total Film magazine. You'll likely find them around these parts reviewing the biggest films on the planet and speaking to some of the biggest stars in the business – that's just what Jamie does. Jamie has also written for outlets like SFX and the Sunday Times Culture, and appeared on podcasts exploring the wondrous worlds of occult and horror. 

With contributions from