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Winner of the Golden Lion at Venice, Alexander Sokurov’s riff on Goethe’s tragedy is a bewildering but blazingly styled fever-dream epic, completing the Russian art titan’s quadrilogy on power.
The basic story holds firm, with the ambitious prof (Johannes Zeiler) signing his soul off to Satan, here played as a moneylending gargoyle (Anton Adasinsky).
A sense-scrambling work that conjures images of indelible potency: you won’t forget the dissection, the lyrical love scene, the pitiable homunculus, the chilling trek to hell or Adasinsky naked in a hurry.
"30 years of history reside in our tape backups": PlayStation's building a game preservation mineshaft vault with 200 million files going back to a 1994 build of PS1 JRPG Arc the Lad
The other big Soulslike out this week has some Bloodborne and Dark Souls 3 in its combat, dev says, but "we would rather call AI Limit an action RPG"
The Last of Us showrunner says "so much" has happened in the five-year gap since we last saw Joel and Ellie: "That's part of the mystery of the season"
