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Winner of the Golden Lion at Venice, Alexander Sokurov’s riff on Goethe’s tragedy is a bewildering but blazingly styled fever-dream epic, completing the Russian art titan’s quadrilogy on power.
The basic story holds firm, with the ambitious prof (Johannes Zeiler) signing his soul off to Satan, here played as a moneylending gargoyle (Anton Adasinsky).
A sense-scrambling work that conjures images of indelible potency: you won’t forget the dissection, the lyrical love scene, the pitiable homunculus, the chilling trek to hell or Adasinsky naked in a hurry.
A new Batman #1 from Matt Fraction and Jorge Jiménez launches this September with a "revamped aesthetic," a throwback costume, and a new Batmobile
Marvel reveals its full slate of May 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
Former Witcher 3 lead says his new vampire RPG Blood of Dawnwalker has a smaller open world because "it feels more like you actually know the place" compared to "behemoths"
