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John Maloof and Charlie Siskel’s engaging but problematic doc tells how a chance discovery unearthed a talented but unknown photographer: the late Vivan Maier, an eccentric nanny with a gift for portraiture and a scarcely believable backstory. With her stern manners, intense privacy and odd dress sense, Maier resembled a real-life Wes Anderson character; likewise, her square-framed imagery and hoarded bric-a-brac define the film’s playful aesthetic.
Mostly, it’s a study of an analogue ghost turned digital star; yet because Maloof is vested in building Maier’s reputation, the film leaves some uncomfortable questions about the ethics of posthumous fame.
There may be no more news on Extraction 3 yet, but the Russo Brothers universe is expanding with a new Netflix spin-off show
Diablo 2 creator says players treated the action RPG like a “lifestyle game” because it was fun, and that MMOs like World of Warcraft had more to do with starting the live service trend
Practice your ninjitsu because the Teenage Mutant Ninja Turtles are coming to protect the Castle Panic board game
