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John Maloof and Charlie Siskel’s engaging but problematic doc tells how a chance discovery unearthed a talented but unknown photographer: the late Vivan Maier, an eccentric nanny with a gift for portraiture and a scarcely believable backstory. With her stern manners, intense privacy and odd dress sense, Maier resembled a real-life Wes Anderson character; likewise, her square-framed imagery and hoarded bric-a-brac define the film’s playful aesthetic.
Mostly, it’s a study of an analogue ghost turned digital star; yet because Maloof is vested in building Maier’s reputation, the film leaves some uncomfortable questions about the ethics of posthumous fame.
Tomb Raider 4-6 Remastered restores some cut content to hopefully make Angel of Darkness a little less hated this time around
Animal Crossing's "obscure references" were all "localized out completely" before its debut in the West, as Nintendo felt it needed to "change everything"
The Alters is a "journey of discovery" that will have you asking one of life's biggest questions in 2025
