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James Dean’s final film, released in 1956 after his death, makes for a disappointing epitaph. The combination of director George Stevens and source novelist Edna Ferber, both given to expressions of overblown high seriousness, yields a long, slow, achingly self-important movie.
Rock Hudson is a cattle baron, Dean is a maverick rancher who strikes oil, and Liz Taylor is the woman they both love. The triangle plays out down the years – and feels like it – with Dean bizarrely portraying a middle age he never reached.
Compensations are Dimitri Tiomkin’s epic score and William Mellor’s widescreen lensing of the Texan landscapes.
Resident Evil creator says the secret to a good remake is knowing what "made the original work," praises RE4 Remake for improving the "half-assed" story he wrote "in 2 weeks"
After 19 years, a cult classic survival horror game's infamous block mechanic was found to be a typo in its code, and thanks to a modder "this oversight is fixed"
Netflix wants an English-language Squid Game spin-off, and they've brought in the Gone Girl and Fight Club director to handle it
