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James Dean’s final film, released in 1956 after his death, makes for a disappointing epitaph. The combination of director George Stevens and source novelist Edna Ferber, both given to expressions of overblown high seriousness, yields a long, slow, achingly self-important movie.
Rock Hudson is a cattle baron, Dean is a maverick rancher who strikes oil, and Liz Taylor is the woman they both love. The triangle plays out down the years – and feels like it – with Dean bizarrely portraying a middle age he never reached.
Compensations are Dimitri Tiomkin’s epic score and William Mellor’s widescreen lensing of the Texan landscapes.
"Silent Hill mixed with FIFA 98" is a combination of words I never thought I'd see, but after playing this survival horror soccer demo at Steam Next Fest, it weirdly works
Who is Daredevil? Everything you ever wanted to know about Marvel's Man Without Fear before Daredevil: Born Again
Monster Hunter Wilds PC players make Steam reviews their 15th weapon as Capcom's RE Engine delivers another Dragon's Dogma 2-sized disaster: "Very immersive game. You can cook a well-done steak on your GPU"
