Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
Put another corpse on the barbie: this British-made, Oz-shot horror flick follows in the bloodprints of last year’s outback-packing butcher shop Wolf Creek. Brit twentysomethings Alex (Shaun Evans) and Sophie (Amelia Warner) are unlucky travellers who hook up with Yank drifter Taylor (Scott Mechlowicz). The signs are ominous – grey skies, kangaroo roadkill and outback emptiness. You know what’s coming, but former ad director Ringan Ledwidge refuses to cut to the chase or the O-negative. Instead we get a looooong build-up (establishing character, allegedly) as Mechlowicz’s bargain-basement psycho plays mind games with his new buddies. It’s efficiently tense, but with a slowburn fuse like that you want there to be a big bang at the end of it. And guess what? There’s not. A final reel of arterial spray splatter empties itself in record time and when Gone finally gets going, it’s gone too soon.
Hideo Kojima originally had "no plans" for a character like Metal Gear Solid's Cyborg Ninja until Yoji Shinkawa's art had him saying "hell yeah, a ninja cyborg!"
The Secretlab Christmas sale has arrived, and some of the deals are just as good as Black Friday
One of the most iconic D&D RPGs ever made stood out among Baldur's Gate and Fallout as it was the "first" to make companions "feel like fully functional parts of the story"
