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Pogoing into view with a big grin, some top tunes and period punch aplenty, Lisa Barros D’Sa and Glenn Leyburn’s likeable but flawed biopic of a ’70s Belfast punk hero stands and stumbles on its charm levels.
In a breakout turn, Richard Dormer is optimism incarnate as Terri Hooley, a record-store owner who used music to spur a troubled generation.
His charm is winning, but it backs the film into a corner: the stress on uplift sidelines Hooley’s neglect of his wife (Jodie Whittaker) and kid, hitting a bum note in an otherwise persuasively buoyant tribute to a punk believer.
Nintendo is "really mad" to "the most severe level" about the Switch 2 leaks, say former PR managers: "They are very, very, very upset"
After 17 years, Marvel pulls a surprising Iron Man character back into the MCU for the new Vision series – and fans already have some wild theories
Hayden Christensen has paid the ultimate respect to Anakin's Clone Wars actor: "Thank you for keeping Star Wars alive"
