Why you can trust GamesRadar+
Third in maverick Japanese director Sion Sono’s “hate trilogy” (after Love Exposure and Cold Fish), Guilty kicks off like an Oriental take on Belle De Jour.
Mousy, domesticated Izumi (Megumi Kagurazaka), wife of an arrogant novelist, gets tempted into prostitution and is soon avidly exploring her own sexuality, all unknown to her husband.
But Sono’s film soon heads off into even more dislocated territory, as Izumi ventures into the underworld of Tokyo “love hotels”.
Filmed in garish colours like an explosion in a paint factory, it’s more style than content, but diverting all the same.

Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid

Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat

Doom: The Dark Ages developers go back to the OG 1993 FPS for inspiration: "Every time you look at it, you learn something new"