Why you can trust GamesRadar+
Third in maverick Japanese director Sion Sono’s “hate trilogy” (after Love Exposure and Cold Fish), Guilty kicks off like an Oriental take on Belle De Jour.
Mousy, domesticated Izumi (Megumi Kagurazaka), wife of an arrogant novelist, gets tempted into prostitution and is soon avidly exploring her own sexuality, all unknown to her husband.
But Sono’s film soon heads off into even more dislocated territory, as Izumi ventures into the underworld of Tokyo “love hotels”.
Filmed in garish colours like an explosion in a paint factory, it’s more style than content, but diverting all the same.

"30 years of history reside in our tape backups": PlayStation's building a game preservation mineshaft vault with 200 million files going back to a 1994 build of PS1 JRPG Arc the Lad

The other big Soulslike out this week has some Bloodborne and Dark Souls 3 in its combat, dev says, but "we would rather call AI Limit an action RPG"

The Last of Us showrunner says "so much" has happened in the five-year gap since we last saw Joel and Ellie: "That's part of the mystery of the season"