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Rustling trees, snakes eating fish, ambient score... His opening gambits alone share territory with other rustic reveries on innocence/experience, but Daniel Patrick Carbone’s visual poetry and ease with young actors distinguish his no-budget US indie debut. Providing the magnetic counter-balance for the plot’s drift, Ryan Jones and Nathan Varnson give natural performances as small-town brothers rocked by a friend’s death.
The Malick echoes and half-cocked shots at tension-building seem more forced, but Carbone’s sense of place, management of mood and feel for loaded intimacies all suggest his intuitive talent won’t stay hidden.
Benedict Cumberbatch's new horror movie is splitting critics with some saying that it "wastes" the Marvel and Sherlock star
Two friends spent years making this open-world road trip RPG that's gotten over 170k Steam wishlists and 70k demo downloads, and it's finally out this week
In addition to "billions" of weapons, Borderlands 4 has "the deepest and most diverse skill trees" of any game in the series
