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Rattling with the same maternal panic as The Orphanage, Gabe Ibáñez’s sensuous chiller can’t quite match its countrymate in the story department.
Technically unimpeachable, from the spooky sound design through to the gorgeously austere cinematography, and featuring a gutsy performance from Elena Anaya as a distraught mother whose child disappears while visiting the eponymous island, it’s padded and occasionally pretentious, like 2008’s similar Vinyan.
Taken as a mood piece, though, it’s a handsome example of technique over storytelling, particularly in the way Ibáñez and DP Alejandro Martínez use the barren, sand-blasted isle to evoke the desolate landscape of Anaya’s shattered mind.
Balatro creator started "properly playing the game myself about a week before launch" and had "a pretty emotional moment" where he realized it's "actually fun"
Hideo Kojima reveals Death Stranding 2: On the Beach release date, and the Collector's Edition includes exactly what I predicted it would
Kingmakers is a strategy game about taking on medieval armies with a gun, but its devs thought the giant mech was too much
