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Love in this teen flick is less like a red, red rose than a bloody nose.
Retooling a popular manga, it offers a surreal slant on post-Fukushima Japan where aggression lurks in every scene - even the romantic ones between high-schooler Yuichi (Shôta Sometani) and his stalker classmate, Keiko (Fumi Nikaidô).
As director Shion Sono (Love Exposure) homes in on a society buffeted by violence – natural and man-made - his absorbing if erratic comedy is menaced by Dolby-battering audio, neo-Nazis, Yakuza thugs and dream sequences shot on location in the tsunami’s wake.
Sonic 3 director explains the thinking behind picking those new post-credits arrivals: "It's always 'which character is going to give us something new?'"
The Inside Out 2 panic attack scene is one of the best depictions of anxiety ever – and something Pixar director Kelsey Mann is incredibly proud of: "I couldn't be happier"
When making Kingdom Hearts, the "one thing" RPG icon Tetsuya Nomura "wasn't willing to budge on" was a non-Disney protagonist
