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A critical and commercial hit in Italy, Paolo Virzì’s classy recession-set melodrama gives spiritual anguish a topical makeover. A hit-and-run accident mires two families – one well-off, the other less so – in scandal, as revealed over three overlapping stories. It’s a timely tale, robustly told, with Virzì ably dissecting the effect a transactional culture has on the soul, and the difficulty of finding happiness without (and sometimes with) cold hard cash.
Shame that the plotting favours narrative intrigue over character depth, creating a film whose message is witnessed rather than felt.
GTA veteran says the games industry needs to "get smarter" about what people actually want: "There are so many games, and I think we're starting to feel the effects"
Fallout 76's art director "had to fight really hard" so Bethesda would make the MMO's map bigger than Skyrim's
Don't expect Minecraft to go free-to-play anytime soon, as Mojang says "It doesn't really work with the way we built it"
