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Winner of last year’s Camera d’Or in Cannes, Anthony Chen’s touching 1997-set debut tells of a Filipino maid, Terry (Angeli Bayani), who comes to work for a Singapore family buckling under the pressure of economic recession.
Painting a tough-but-realistic portrait of life as a domestic, Chen doesn’t simply trade on hardships, with the put-upon Terry’s bond with the family’s son Jiale (Koh Jia Ler) providing the film’s heart.
As their early fights give way to growing respect, it’s a beautifully calibrated relationship, with small moments gradually building into something much bigger.
A gem.
Assassin's Creed Shadows boss is confident Ubisoft has a place in modern RPGs, even as the industry's goalposts shift: "When we were working on Odyssey, it was Breath of the Wild"
Dread it, run from it, the Palworld dating sim is real – and Pocketpair is tripling down with a Steam page starring "Chillet's little sister" and "Yandere Splatterina"
It took Assassin's Creed Shadows players 9 days to find a new way to insta-kill certain enemies, and Hitman's Agent 47 would be proud
