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Winner of last year’s Camera d’Or in Cannes, Anthony Chen’s touching 1997-set debut tells of a Filipino maid, Terry (Angeli Bayani), who comes to work for a Singapore family buckling under the pressure of economic recession.
Painting a tough-but-realistic portrait of life as a domestic, Chen doesn’t simply trade on hardships, with the put-upon Terry’s bond with the family’s son Jiale (Koh Jia Ler) providing the film’s heart.
As their early fights give way to growing respect, it’s a beautifully calibrated relationship, with small moments gradually building into something much bigger.
A gem.
Superman goes full sci-fi in DC's epic CinemaCon footage, showcasing a bloodied Man of Steel rising again
Switch 2 analyst says the $450 price tag is "relatively reasonable" compared to the $700 PS5 Pro and $550 portable PCs
Devil May Cry Nero actor didn't realize he was auditioning to play Dante in the new Netflix series until the show's producer said he wrote the lead role just for him: "A different weight on my shoulders"
