Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
“I’m not sure I’ll understand much, but I want to see,” says French icon Catherine Deneuve, who’s driven by Lebanese artist Rabih Mroue to visit the war-ravaged south of his country during the summer of 2006.
Co-directed by Joana Hadjithomas and Khalil Joreige, this awkward blend of documentary and fiction depicts a society painfully rebuilding itself, where rubble is dumped into the sea and posters of Hezbollah martyrs line the highways.
Yet the images lack historical context, Deneuve seems ill-at-ease throughout and the film overall suffers in comparison with last year’s Lebanon-set Under The Bombs.
Former PlayStation boss says Nier Automata "revived" the Japanese games industry and convinced developers to stop chasing overseas trends
Over 10 years later, Tomodachi Life fans find relief for their long suffering with a sequel, Living the Dream, which might feature long-requested queer romance
A grim Marvel theory could explain why the Avengers: Doomsday cast was revealed in that order
