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Blame Michael Flatley for this post-Riverdance documentary about hoofing children heading to Glasgow for the 40th Irish Dancing World Championships, each with hopes of becoming the year’s finest high-kicker.
Yet while it’s easy to sneer at the tweens and their scary parents, you can’t ignore their dedication to their dying art, nor their kinetic energy.
Ping-ponging between Ireland, Holland, Russia and Essex, Sue Bourne’s pic could have used clarifying narration.
Once the contest begins, though, her film’s as gripping as Spellbound and as enjoyably kitsch as Eurovision.
After a 4 year absence, Captain America: Brave New World proves Anthony Mackie's Sam Wilson deserves to be the MCU's figurehead in Avengers 5 and beyond
Mickey 17 Review: "Bong Joon-ho's best English movie to date and arguably Robert Pattinson's best movie ever"
The Witcher 3 director's new vampire RPG gives you the freedom "to kill off a lot of NPCs, and a lot of them can be really important NPCs"
