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Guy Maddin ( Canada’s answer to David Lynch) sets his black-and-white, loopily surreal twist on early-era noir in a dusty mansion teeming with ghosts.
Returning after a long absence, gangster Ulysses (Jason Patric) embarks on a journey through his home to reach his wife (Isabella Rossellini), who’s locked in her room.
The house not only reflects Ulysses’ mind but becomes a metaphor for cinema itself – a strange storage contraption for memory and the past’s spectres.
Though self-referential to a fault, the deadpan humour, frayed logic and monochrome dazzle cast their own richly peculiar spell.
Marvel Rivals has what it takes to shake up the PvP shooter genre if it can maintain its hero fantasy while also making balance changes
Forget AAA: this year, all I wanted to do was optimize my conveyor belts in Satisfactory
Like A Dragon: Pirate Yakuza in Hawaii revives another Sega arcade classic that's never been ported - a true Yakuza games tradition
