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With this controversial, uncut film, Lynne Stopkewich joins the cosy club of Canadian directors (David Cronenberg and Atom Egoyan) who tackle taboo subjects with considerable power and perception. Her film recounts the experiences of a female necrophiliac, one Sandra Larson (Molly Parker). By day, this prim young lady, "who's always been fascinated by death", works at a funeral parlour. But at night, she makes love to the corpses, an unsavoury (not to mention, illegal) activity that only becomes a problem when a medical student (who's very much alive) becomes hopelessly besotted with her. Exploring the uncomfortable connections between love, sex and death, Kissed is artfully composed and surprisingly tender, never descending into sensationalism despite the stomach-stirring nature of its subject matter. Simultaneously solemn and delicate, it's all held together by Parker's bewitching central performance. Uncomfortable viewing, but compelling nevertheless.
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
