Why you can trust GamesRadar+
“How to escape if you can’t escape?” That’s the quandary posed by writer/director Lance Daly’s enchanting indie.
Echoing early Shane Meadows, it follows 11-year-old slum-kids Dylan (Shane Curry) and Kylie (Kelly O’Neill) as they flee the domestic horrors of home for a wild night sleeping rough in Dublin.
Part cautionary tale, part fairytale, the film shifts almost imperceptibly from black and white into colour as they explore a city alive with possibility and peril, derelicts and Bob Dylan impersonators.
Arguing like an old married couple, the pair discover Dublin’s (extremely) dark underbelly, in the process falling a little bit in love in a way they don’t yet have the words for. It’s harrowing, heartbreaking stuff.
Curry and O’Neill are adorably unadorable, and though the film ultimately leaves them as we found them, buried alive in beautiful B&W on a dead-end estate, we know their worlds have changed forever.
Matt Glasby is a freelance film and TV journalist. You can find his work on Total Film - in print and online - as well as at publications like the Radio Times, Channel 4, DVD REview, Flicks, GQ, Hotdog, Little White Lies, and SFX, among others. He is also the author of several novels, including The Book of Horror: The Anatomy of Fear in Film and Britpop Cinema: From Trainspotting To This Is England.

Ex Nintendo PR managers say the Switch 2 generation is likely to see the retirement of "several of the major developers at Nintendo who we have known for 40 something years"

Helldivers 2 CEO says industry layoffs have seen "very little accountability" from executives who "let go of one third of the company because you made stupid decisions"

Spider-Man: Brand New Day - How Peter Parker and Mary Jane's break up led to one of the wall-crawler's most transformative comic eras