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What is it with Amanda Seyfried and letters?
Correspondence-related plots appear to be a contractual requirement, what with Mamma Mia!, Dear John and now this lush, slow-paced and predictably syrupy Italy-set romcom.
Seyfried is Sophie, whose reply to a 50-year-old letter hidden in the Verona courtyard of Shakespeare’s fictional heroine starts a desperate search to reunite elderly widow Claire (Vanessa Redgrave) with her lost love.
Juliet aims for the unabashedly schmaltzy Mamma Mia! recipe of Seyfried match-making for an older woman in a picturesque European setting. But lacking the feelgood energy or suspension of disbelief of a musical, it elicits more guffaws than sighs.
Only Redgrave injects any grace or poignancy, while Seyfried’s trademark tear-brimming eyes may be down to her wooden love interest Christopher Egan’s faux-English accent.
The upside? It’s a significant improvement on director Gary Winick’s execrable Bride Wars.
Andor showrunner hopes that the Disney Plus show's success helps convince Lucasfilm to sign off on either a Star Wars horror movie or sitcom
10 years later, in a post-Baldur's Gate 3 and Avowed world, Obsidian is giving its own throwback CRPG Pillars of Eternity a turn-based combat mode
The OG Fox X-Men are back, with Patrick Stewart, Ian McKellen, and more joining the cast of Avengers: Doomsday alongside a whole new Avengers team to take on Robert Downey Jr's Doctor Doom
