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Brit director Alex Barrett's dialogue-driven debut follows four believable, if none-too-compelling London uni grads across a week, as they stew over growing pains and romantic dilemmas (Jay grapples with her new relationship, while Tom and Claire negotiate a growing attraction).
Barrett admirably tries to stretch beyond this run-of-the-mill TV-drama set-up via the housemates’ debates over larger questions.
But pretensions toward Scandinavian arthouse territory (one character reads existential philosophy and is tormented by visions of St Francis) sit awkwardly.
Metaphor: ReFantazio wanted to fix the JRPG grinding problem, but Atlus went too far at one point and accidentally broke the whole combat system
Final Fantasy 7 Remake and Rebirth battle director says combining everything he learned on Monster Hunter: World with Square Enix's technology and unique skills created a "chemical reaction"
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
