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Brit director Alex Barrett's dialogue-driven debut follows four believable, if none-too-compelling London uni grads across a week, as they stew over growing pains and romantic dilemmas (Jay grapples with her new relationship, while Tom and Claire negotiate a growing attraction).
Barrett admirably tries to stretch beyond this run-of-the-mill TV-drama set-up via the housemates’ debates over larger questions.
But pretensions toward Scandinavian arthouse territory (one character reads existential philosophy and is tormented by visions of St Francis) sit awkwardly.
Mickey 17 Review: "Bong Joon-ho's best English movie to date and arguably Robert Pattinson's best movie ever"
The Witcher 3 director's new vampire RPG gives you the freedom "to kill off a lot of NPCs, and a lot of them can be really important NPCs"
The random events in Elden Ring Nightreign are the funniest thing FromSoftware's ever cooked up, from a rain of ants to Morgott jump scares
