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Louis Malle’s 1958 debut has long been heralded as a forerunner of the French New Wave, with its unorthodox structure, verité camerawork and starring role for Jeanne Moreau.
The ambition is bracing, but critical hindsight obscures how exciting Malle’s noir thriller is on its own terms.
The plot – about a perfect murder that unravels when Moreau’s accomplice (Maurice Ronet) gets stuck in a lift – is liberally doused in dramatic irony; it’s amazing Hollywood never remade it.
Then again, anybody would struggle to recapture the existential melancholy provided by Malle and Moreau.
Final Fantasy 14 is coming to mobile so sprouts can experience the "grandeur of the original's story and combat," and card game sickos like me have another way to play Triple Triad
As Remedy nearly breaks even with Alan Wake 2 sales, Sam Lake tells investors "we strive to create commercial hits" but "we must never lose" the studio's special sauce
DC says Absolute Batman is already the best-selling comic of 2024
