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Between Skyfall and his planned Freddie Mercury biopic, Ben Whishaw proves his mettle in a chamber drama about language and loss from debut writer/director Hong Khaou. Whishaw gives his heartfelt all to Richard, a man mourning his boyfriend’s death.
When he reaches out to his partner’s ageing mum (Cheng Pei-Pei) via a translator, their cultural contrasts help illuminate ideas about how grief can isolate and connect. Peter Bowles adds comic relief, but it’s the fully invested leads and graceful, poetic direction that give this study of emotional interiors its subtly heartbreaking power.
Final Fantasy 7 Rebirth producer says the JRPG sold well, but future games "cannot be exclusive to a single platform" anymore
I might grab this $99 gadget instead of a Nintendo Switch 2 next year
"We would look at all the American RPGs and the JRPGs at the time and just go, 'Right, if they're doing it, we're not": Peter Molyneux and John McCormack talk the development of Fable 20 years on
