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Between Skyfall and his planned Freddie Mercury biopic, Ben Whishaw proves his mettle in a chamber drama about language and loss from debut writer/director Hong Khaou. Whishaw gives his heartfelt all to Richard, a man mourning his boyfriend’s death.
When he reaches out to his partner’s ageing mum (Cheng Pei-Pei) via a translator, their cultural contrasts help illuminate ideas about how grief can isolate and connect. Peter Bowles adds comic relief, but it’s the fully invested leads and graceful, poetic direction that give this study of emotional interiors its subtly heartbreaking power.
Keanu Reeves is returning for John Wick 5 as the franchise expands with an anime prequel series and a Caine spin-off movie
Ex Nintendo PR managers say the Switch 2 generation is likely to see the retirement of "several of the major developers at Nintendo who we have known for 40 something years"
Helldivers 2 CEO says industry layoffs have seen "very little accountability" from executives who "let go of one third of the company because you made stupid decisions"
