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Lolita (Marilou Berry), heroine of French drama Look At Me, begins her movie struggling to make herself heard over the clatter of a taxi driver's noisy stereo. This fight to make people listen, it soon becomes clear, is the perfect metaphor for her lonely life.
No one wants to communicate with this particular Lolita, least of all her father, publisher and respected author Étienne (Jean-Pierre Bacri). Around this foul-tempered egomaniac - - think of him as a literary Tony Soprano - - the other characters orbit. Before long, the respect he demands from those around him has caused relationships to warp and friendships to disintegrate.
Agnès Jaoui's intelligent drama is about everyday tyranny and what happens to a family when an ego is allowed to expand unchecked. Played beautifully by a hard-working ensemble cast, with Berry setting the pace with her astonishing transformation from dowdy, alienated misfit into an artist in her own right, this is witty, thoughtful stuff.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
