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Following A Hole In My Heart and the dull Container, Mammoth marks Swedish director Lukas Moodysson’s return to the narrative mainstream.
But where Show Me Love and Together felt fresh, this is a global guilt-trip. Michelle Williams plays an NY C surgeon whose overgrown-boy husband (Gael García Bernal) travels to Bangkok on business.
Meanwhile their precocious daughter is cared for by a Filipina live-in nanny who’s pining for her own kids back in Manila.
Moodysson braids these threads with contrived symmetries. The preaching soon grows wearisome.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
