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After decades of stigma for her radical, violent work, performance artist Marina Abramović finally achieved mainstream acceptance in 2010, when she sat immobile for three months at New York’s MoMA while the public took turns to face her.
Matthew Akers’ document of the event skews close to hagiography but is consistently informative in charting Abramović’s career, and genuinely engaging thanks to his subject’s witty, unpretentious presence. If you’re sceptical about performance art, this might just change your mind.
The Godfather director Francis Ford Coppola has given a legendary response to his Razzie win for Megalopolis, which he is "thrilled" to accept
"Silent Hill mixed with FIFA 98" is a combination of words I never thought I'd see, but after playing this survival horror soccer demo at Steam Next Fest, it weirdly works
Who is Daredevil? Everything you ever wanted to know about Marvel's Man Without Fear before Daredevil: Born Again
