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After decades of stigma for her radical, violent work, performance artist Marina Abramović finally achieved mainstream acceptance in 2010, when she sat immobile for three months at New York’s MoMA while the public took turns to face her.
Matthew Akers’ document of the event skews close to hagiography but is consistently informative in charting Abramović’s career, and genuinely engaging thanks to his subject’s witty, unpretentious presence. If you’re sceptical about performance art, this might just change your mind.
This nifty gadget turns any M.2 SSD into a portable drive, but it's great for when you're upgrading your PC too
League of Legends co-creator responds to report that Arcane was a "financial miss," says "people think we make things like Arcane to sell skins, when in reality we sell skins to make things like Arcane"
After hours of number-crunching, one Marvel Rivals player has laid out the true meta – and Iron Fist's ranking feels alarming