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After decades of stigma for her radical, violent work, performance artist Marina Abramović finally achieved mainstream acceptance in 2010, when she sat immobile for three months at New York’s MoMA while the public took turns to face her.
Matthew Akers’ document of the event skews close to hagiography but is consistently informative in charting Abramović’s career, and genuinely engaging thanks to his subject’s witty, unpretentious presence. If you’re sceptical about performance art, this might just change your mind.
Ghost of Yotei will build on Ghost of Tsushima with guns, a gorgeous change of scenery, and "unexpected dangers"
Reject modernity, embrace old games: 2025 is going to be the year I finally embrace my inner retro gaming sicko without apology
Assassin's Creed Shadows had to have 2 different characters because players want both stealth and combat, and you couldn't have both with just one