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Inspired by a true story, French writer/ director Safy Nebbou’s restrained thriller is squarely rooted in a suburban universe of everyday family activities and domestic arrangements.
Divorced mother Elsa (The Page Turner’s Catherine Frot) insinuates herself into the life of affluent housewife Claire (Sandrine Bonnaire), convinced that the latter’s seven-year-old, Lola (HéloÏse Cunin), is actually her own daughter.
Predictable in places, but there’s much to savour here: dedicated performances, an atmospheric score, unsettling set-pieces (which are all viewed from Elsa’s troubled perspective)… and above all a satisfying sense of ambiguity.
Tom Dawson
PUBG creator's goal for his new open-world project is to make "realistic Minecraft" complete with real geology
This weird WarioWare-like's demo got thousands of positive Steam reviews, and now its Kickstarter's $40,000 goal has been smashed 11 times over
Former CDPR lead says "experimental" new open world vampire RPG The Blood of Dawnwalker will "push the genre forward" a lot like The Witcher 3: "The risk is worth the reward"
