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The pen-pal relationship between a lonely little girl from Australia and an obese New Yorker with Asperger’s syndrome might not seem a sturdy base for a stop-motion claymation.
But in the hands of director Adam Elliot, it’s a platform for deliciously dark wit, beautifully crafted ’toonery and fine voice work, particularly from Philip Seymour Hoffman as ‘Aspie’ Max.
Shifting between a sepia Oz and a monochrome Manhattan, Elliot’s record of an unconventional friendship revels in grotesque detail and scatological humour, but yields unexpected depth and poignancy.
Andor season 2 is introducing a ship from a beloved 30-year-old Star Wars game to canon
Stardew Valley creator kills the coyote he just invented with new Switch update that fixes "the bomb crash, disappearing chickens, and more"
Red Hulk gets his own comic series just in time for Captain America: Brave New World
