Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
Joan Crawford had hit the career doldrums before this mink-clad comeback in 1945. And what a return: a family melodrama framed by a film noir scenario, adapted from James M Cain's novel and delivered in super-slick suds and chiaroscuro-lighting style by Casablanca director Michael Curtiz.
It's less Curtiz's gig than Crawford's, though, as she's barely off screen as Mildred. We meet her as she's thinking suicide, before a series of flashbacks unravel how her struggle to juggle three no-good men, a career as a restaurateur and the daughter from hell, Veda (Ann Blyth), lead to a smoking gun in the beach house.
Despite Crawford's reputation for being a nightmarish mother off screen, she played the doting Mildred to a tremulous tee, bagging an Oscar. The result's soapy, sure - but as a snapshot of an actress at her peak, and Hollywood genres milked for every last drop of resonance, it's quite a lather.
Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid
Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat
Doom: The Dark Ages developers go back to the OG 1993 FPS for inspiration: "Every time you look at it, you learn something new"
