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The daily grind is wearing middle-aged Vincent (Jacques Bidou) down. His job at a chemical factory is monotonous, his nagging wife (Anne Kravz-Tarnavsky) and precocious children show little interest in his well-being, and DIY jobs get in the way of his passion for painting. As his dying father advises, he should leave it all behind and get away - - and that's exactly what he does, fleeing his small French village to explore the wider world, starting with Venice...
Veteran Georgian-born director Otar Ioseliani returns with this award-winning fable, a deadpan and almost silent observational comedy, which employs understated humour to explore themes of boredom and solitude in contemporary life. Certainly, Ioseliani peoples Monday Morning with a gallery of eccentrics - - the teenage son who builds a flying machine, a Peeping Tom priest, a transvestite cloakroom attendant - - but it's not nearly enough. At over two hours, the lugubrious detachment and repetitive quirkiness become more of a burden than a pleasure, leaving the audience every bit as flat as the protagonist.
The Last of Us showrunner explains why they included the cut therapy scene that Pedro Pascal loved in season 2, and says it gets to the "heart" of the show
It's not just your favorite JRPGs, Clair Obscur: Expedition 33 takes notes from Studio Ghibli movies like Spirited Away and Howl's Moving Castle too
With no remaster in sight because Sony hates money and also me, I'm spending Bloodborne's 10-year anniversary thinking about its hardest, perfect boss battle
