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Punk pioneers the New York Dolls splintered in 1977 in a haze of drugs, booze and enmity. But proof that no fence need go unmended comes in this affectionate documentary, which charts bassist Arthur "Killer" Kane's reunion with his former band-mates Sylvain Sylvain and David Johansen at 2004's Morrissey-curated Meltdown festival.
Having traded his platform heels for a quieter life as a Mormon librarian, Kane is understandably nervous about reliving past glories. But the chance to bury the hatchet proves too tempting, giving Greg Whiteley's film a personal dimension you don't have to be a fan to appreciate. Bob Geldof, Iggy Pop and others supply valuable context, while Kane's acid-casualty demeanour gives rise to much Spinal Tap-style comedy. A shame, then, that Whiteley botches the climax, as poor sound and visuals render the comeback a noisy bore.
NO VERDICT
This cozy farming sim is just a sleepy frog that idly grinds on your desktop all day - and it's the best $4 I've spent in ages
Rockstar Games co-founder and GTA 5, Red Dead Redemption 2 writer Dan Houser's new studio shows off its "story-driven action-comedy"
The Pokeball Plus cemented my appreciation of the Nintendo Switch, I just hope the Switch 2 carries on the tradition of weird and wonderful accessories
