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Michael Roemer’s 1964 drama is an indie-cinema milestone, bringing an incisive grasp of place, period and performance to its up-close portrait of emergent black pride.
Ivan Dixon is hugely affecting as Duff, an itinerant railroad worker in Alabama who marries teacher-and-preacher’s daughter Josie (Abbey Lincoln) despite disapproval on all sides.
Roemer acutely details the pressures weighing on Duff and draws a crackling cameo from Milton Williams as his sozzled dad, but histrionics are smartly withheld – and the measured end note of bruised hope packs a greater punch for it.
Captain America: Brave New World director hints at why and when The Leader's divisive look was changed
Despite Zelda: Majora's Mask basically being a horror game, one of its key devs didn't think its creepiest features were scary at all: "People on the team were like 'whoa!'"
Corsair exec says GTA 6 is coming to PC in early 2026 and then quickly un-says that
