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Michael Roemer’s 1964 drama is an indie-cinema milestone, bringing an incisive grasp of place, period and performance to its up-close portrait of emergent black pride.
Ivan Dixon is hugely affecting as Duff, an itinerant railroad worker in Alabama who marries teacher-and-preacher’s daughter Josie (Abbey Lincoln) despite disapproval on all sides.
Roemer acutely details the pressures weighing on Duff and draws a crackling cameo from Milton Williams as his sozzled dad, but histrionics are smartly withheld – and the measured end note of bruised hope packs a greater punch for it.
Metaphor: ReFantazio wanted to fix the JRPG grinding problem, but Atlus went too far at one point and accidentally broke the whole combat system
Final Fantasy 7 Remake and Rebirth battle director says combining everything he learned on Monster Hunter: World with Square Enix's technology and unique skills created a "chemical reaction"
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
