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Michael Roemer’s 1964 drama is an indie-cinema milestone, bringing an incisive grasp of place, period and performance to its up-close portrait of emergent black pride.
Ivan Dixon is hugely affecting as Duff, an itinerant railroad worker in Alabama who marries teacher-and-preacher’s daughter Josie (Abbey Lincoln) despite disapproval on all sides.
Roemer acutely details the pressures weighing on Duff and draws a crackling cameo from Milton Williams as his sozzled dad, but histrionics are smartly withheld – and the measured end note of bruised hope packs a greater punch for it.
MMO legend's "spiritual sequel to Ultima Online and to Star Wars Galaxies" is getting a Kickstarter campaign "because the climate for games investment is terrible"
Elden Ring Nightreign could be the Fortnite of Soulslikes, but probably not for the reason you think
After unsuccessfully attempting to launch a Monster Hunter clone, this controversial dev is now supposedly releasing an Animal Crossing-like game on PS5
