Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
Swerving from Bond villainy to burlesque for a likeable, loosely plotted dramedy, Mathieu Amalric directs himself as a struggling ex-TV producer leading a troupe of dancers on a French coastal tour.
While they get up to saucy mischief, he assesses his equally broken career and family.
The two-pronged result is winningly played: Amalric is charmingly raffish and the real-life performers are brassily naturalistic.
But Amalric doesn’t tease out emotional ties between the narrative threads, which scuppers the faux-redemptive finale and results in a film of merely incidental pleasures.
Sonic 3 writers talk that crucial change to Maria's death scene: "I don't think we can just shoot a little girl"
17 years on, Sam Barlow reflects on Silent Hill: Origins: "To pull it out of the bag with a seven-out-of-ten game was incredibly rewarding"
"We're not interested right now": Original Dead Space creators say their pitch for a fourth game was turned down by EA
