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David Frankel’s ( The Devil Wears Prada ) schmaltzy biopic turns the story of Britain’s Got Talent success Paul Potts into a loser-takes-all heartstring-tugger.
James Corden projects vulnerability as the mobile-phone salesman turned operatic sensation, whose path to an audience with Simon Cowell (one of the film’s producers) takes in a disapproving dad (Colm Meaney), mishaps and a romance with Boots worker Julie-Ann (Alexandra Roach).
Potts does the singing himself, but that doesn’t stop Justin Zackham’s ( The Big Wedding ) contrived script from sounding bum notes throughout.
Neil Smith is a freelance film critic who has written for several publications, including Total Film. His bylines can be found at the BBC, Film 4 Independent, Uncut Magazine, SFX, Heat Magazine, Popcorn, and more.
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Blood of Dawnwalker devs explain how the vampire RPG's "narrative sandbox" builds on what they were "known for crafting" in games like The Witcher 3
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Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid
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Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat