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The latest Coppola to grab a camera – Francis Ford’s granddaughter, Gia – makes a quietly assured debut with this tale of disaffected youth, adapted from a book of short stories by James Franco. The star also appears as a creepy soccer coach, object of desire for April (Emma Roberts).
Shying from the more controversial yarns in Franco’s book, this is a dreamy take on teen life, authentic in its everyday feel. Yet it plays like a series of disparate shorts and the absence of parents rings false. But with a distinct visual sensibility, Gia proves she’s one more Coppola to watch.
Nobody at Konami believed in Metal Gear until Hideo Kojima showed them the exclamation point: "This is gonna work!"
Elder Scrolls Online is done with "massive content updates once a year" and is switching to "smaller bite-sized" seasons in 2025
Civilization 7 fans jealous of old man with wonderful flexibility beg the strategy game's developer to make him stop dancing
