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The latest Coppola to grab a camera – Francis Ford’s granddaughter, Gia – makes a quietly assured debut with this tale of disaffected youth, adapted from a book of short stories by James Franco. The star also appears as a creepy soccer coach, object of desire for April (Emma Roberts).
Shying from the more controversial yarns in Franco’s book, this is a dreamy take on teen life, authentic in its everyday feel. Yet it plays like a series of disparate shorts and the absence of parents rings false. But with a distinct visual sensibility, Gia proves she’s one more Coppola to watch.
Agatha All Along ending explained: Who dies, what happens at the end of the Witches' Road, and what happened to Nicholas Scratch?
Nintendo launches its own streaming service where you can listen to banger music from Mario, Zelda, and Pokemon on and offline via an app
Microsoft says Black Ops 6 is the "biggest Call of Duty release ever" as Activision meets its goal to reach "as many players as possible wherever they are, however they play"
