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Misplaced critical vitriol torpedoed the original 1960 release of director Michael Powell’s psycho-horror.
Fifty years later, it’s an undisputed British masterpiece.
Scripted by Leo Marks, it tells of camera-obsessed victim-misfit Mark (gently tragic Carl Boehm), who’s in queasy thrall to an appalling quest for realism.
Shot in lurid Eastmancolor (which pops harder than ever in this digital restoration) and crammed with ripe Freudian symbolism, Peeping Tom lays bare the dark impulses that lie behind both the making and watching of films.
"30 years of history reside in our tape backups": PlayStation's building a game preservation mineshaft vault with 200 million files going back to a 1994 build of PS1 JRPG Arc the Lad
The other big Soulslike out this week has some Bloodborne and Dark Souls 3 in its combat, dev says, but "we would rather call AI Limit an action RPG"
The Last of Us showrunner says "so much" has happened in the five-year gap since we last saw Joel and Ellie: "That's part of the mystery of the season"
