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Misplaced critical vitriol torpedoed the original 1960 release of director Michael Powell’s psycho-horror.
Fifty years later, it’s an undisputed British masterpiece.
Scripted by Leo Marks, it tells of camera-obsessed victim-misfit Mark (gently tragic Carl Boehm), who’s in queasy thrall to an appalling quest for realism.
Shot in lurid Eastmancolor (which pops harder than ever in this digital restoration) and crammed with ripe Freudian symbolism, Peeping Tom lays bare the dark impulses that lie behind both the making and watching of films.
Russian Doll star Natasha Lyonne to star as an axe-wielding heroine in upcoming adaptation of a DC horror comic
After a 4 year absence, Captain America: Brave New World proves Anthony Mackie's Sam Wilson deserves to be the MCU's figurehead in Avengers 5 and beyond
Mickey 17 Review: "Bong Joon-ho's best English movie to date and arguably Robert Pattinson's best movie ever"
