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Misplaced critical vitriol torpedoed the original 1960 release of director Michael Powell’s psycho-horror.
Fifty years later, it’s an undisputed British masterpiece.
Scripted by Leo Marks, it tells of camera-obsessed victim-misfit Mark (gently tragic Carl Boehm), who’s in queasy thrall to an appalling quest for realism.
Shot in lurid Eastmancolor (which pops harder than ever in this digital restoration) and crammed with ripe Freudian symbolism, Peeping Tom lays bare the dark impulses that lie behind both the making and watching of films.
"I can promise my game will be significantly less than $80": Indie dev stunned by Kirby Air Riders Switch 2 reveal after working on their own Air Ride successor for months
Mario Kart World quietly fixes one of the series' longest-standing annoyances and I suspect I will get hit with 10% fewer red turtle shells because of it
Superman goes full sci-fi in DC's epic CinemaCon footage, showcasing a bloodied Man of Steel rising again
